Tuesday 14th November
Andrew Keener
Jacqueline du Pré
Du Pré’s career lasted only 12 years, cut short by multiple sclerosis. But she is still reckoned one of the greatest cellists of her generation. Renowned recording producer Andrew Keener talks about the life and legacy of this exceptional cellist and charts the progress of her short, stellar career.
Appreciation by David Saunders
It is always a pleasure to welcome someone as erudite and knowledgeable as Andrew Keener to come and talk to us. Andrew is a celebrated independent producer known for bringing his musical insight to thousands of classical music recordings. And in his talk about the life and legacy of the charismatic cellist Jacqueline du Pré he was able to utilise his skills to take us from her extraordinary early progress through to her all too short maturity alongside her husband Daniel Barenboim, and then chart the tragic decline due to illness that ultimately silenced her musicmaking. Yet still her recordings remain to marvel at—who cannot but be amazed by her various different recordings of the Elgar Cello Concerto—especially, for many of us, that iconic early one conducted by Sir John Barbirolli. So I would like to propose a Vote of Thanks to Andrew Keener for his superb talk casting light on the life story of the great Jacqueline du Pré.
Playlist
BEETHOVEN: Sonata no. 5 for cello and piano, Op. 102 no. 2 (1st movement) Jacqueline du Pré (cello)/Stephen Bishop (piano) EMI/Warner
ELGAR: Cello Concerto (illustration from 2nd movement)
1. Beatrice Harrison/New Symphony Orchestra/Sir Edward Elgar HMV/Warner
2. Pablo Casals/BBC Symphony Orchestra/Sir Adrian Boult HMV/Warner
3. Pierre Fournier/Berlin Philharmonic Orchestra/Alfred Wallenstein DG
4. Jacqueline du Pré/London Symphony Orchestra/Sir John Barbirolli EMI/Warner
PROKOFIEV: Peter and the Wolf (opening) Jacqueline du Pré (narrator)/English Chamber Orchestra/Daniel Barenboim DG
PARADIS: Sicilienne Jacqueline du Pré (cello)/Gerald Moore (piano) EMI/Warner
DELIUS: Cello Concerto (opening) Jacqueline du Pré (cello)/Royal Philharmonic Orchestra/Sir Malcolm Sargent EMI/Warner
ELGAR: Cello Concerto (illustration from 1st movement)
1. Jacqueline du Pré/London Symphony Orchestra/Sir John Barbirolli EMI/Warner
2. Jacqueline du Pré/BBC Symphony Orchestra/Sir Malcolm Sargent (1963 Prom)
HAYDN: Cello Concerto in C major (Finale) Jacqueline du Pré/English Chamber Orchestra/Daniel Barenboim EMI/Warner
BRAHMS: Cello Sonata no. 2 in F major (Third movement) Jacqueline du Pré (cello)/Daniel Barenboim (piano) EMI/Warner
ELGAR: Cello Concerto (illustration from 2nd movement) Jacqueline du Pré/Philadelphia Orchestra/Daniel Barenboim Sony
CHOPIN: Cello Sonata in G minor (First movement) Jacqueline du Pré (cello)/Daniel Barenboim (piano) EMI/Warner
SAINT-SAENS: Cello Concerto no. 1 in A minor Jacqueline du Pré (cello)/Philadelphia Orchestra/Daniel Barenboim Sony
ELGAR: Cello Concerto in E minor (Finale excerpt) Jacqueline du Pré/New Philharmonia Orchestra/Zubin Mehta '(du Pré’s farewell to the Concerto, Royal Festival Hall, February 1973)' Available to hear at the British Library
RICHARD STRAUSS: Don Quixote (Death of Don Quixote) Jacqueline du Pré/New Philharmonia Orchestra/Sir Adrian Boult EMI/Warner
Images
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CDs
Some of the playlist items are available in a 23-CD box set, Jacqueline du Pré, the complete Warner Recordings, available from Presto Music (reduced from £79 to £55.30 until the 8th of January 2024). Included is the reconstructed performance of Don Quixote with which Andrew Keener concluded his talk. It's also available from Amazon.
Books
363 Oxford Street
Andrew began his talk by asking us what was at 363 Oxford Street? We didn't know (someone hazarded "the Wigmore Hall?") so he told us. It had been the address of the great London HMV record store where he had first listened to a recording of du Pré, and he lamented its closure in 2019.
However, coincidentally, HMV reopened the store on the 24th of November to much fanfare, and it is now in business again. Andrew is pleased to see that the circular blue plaque, commemorating the original opening in 1921 by Sir Edward Elgar, is still in place.