Tuesday 10th January

Robert Calow

Who's Afraid Of Paul Hindemith?

Another popular speaker at LMS, Robert Calow, returns to ask “Is Paul Hindemith the ultimate ‘Marmite’ composer?”

Robert has had a life-long interest in this important 20th Century composer, violist, and educator. Through a personal selection of works, his aim is to show that the music of Paul Hindemith deserves to be appreciated by a much wider audience.

The Jenny Roberts Lecture

Appreciation by Alan Herringshaw

It was a very appreciative audience that gathered in the Clarendon park congregational Church Lecture Hall to listen to Robert Calow’s talk entitled “Who’s Afraid of Paul Hindemith?”

Those of us that were present left the hall less fearful, I think, at the end of what was an interesting talk packed full and even overflowing in places with facts and insights. Entertaining from the first musical illustration to the last and delivered with infectious enthusiasm throughout.

The musical illustrations captured the energy and vitality of Hindemith's music, and contrasted his first opera Sancta Susanna, which we were told featured a naked nun in a bath and a police raid to halt the performance, with the beautifully lyrical violin concerto in the first half of the talk and the final piece, the Symphonic Metamorphosis of Themes by Carl Maria von Weber, introduced by way of scenes of marital companionship with Paul and and his wife Gertrud playing the themes of Weber in piano duets. Hindemith’s firmly held belief that “it is better to make music than to listen to it” could not have been better illustrated. The photographs of Hindemith and his wife Gertrud happily playing duets was a lasting illustration of this.

It also became apparent throughout the talk that Hindemith was somewhat of an expert in the performing techniques of all the instruments for which he wrote. This, coupled with his mastery of all the intricacies of traditional harmony and counterpoint, produced a composer comfortable in writing tunes for the amateur player to perform as well as major symphonic works.

At a time when all around him were experimenting with “12 note music” Hindemith remained convinced that music should be more accessible and seen as a craft particularly useful for education.

I arrived at the venue knowing little of Hindemith (I admitted to having had to look in our family’s Larousse Encyclopedia of Music for guidance on the spelling of his name!!); I left having learnt far more than how to spell! I left the talk a convert to Hindemith and I am hopeful all of the audience felt a spark of interest which might ignite a desire to listen to more of his work.

Robert Calow

Playlist

FIRST HALF
PieceArtistsLabel / Source
Prelude– "Come All ye Shepherds" (Czech Carol) Tuttifänchen Suite (Christmas Fairy Tale 1922)Queensland SO/AlbertCPO 1997
Symphony in E♭ (1940) Mvt ILPO/BoultEverest 1959
In Storm & Ice – Film soundtrack excerpt (1921)Tasmanian SO/AlbertCPO 1994
Trauermusik - excerpt (1936)Paul Hindemith solo Viola, RCA/ReiboldNaxos USA historical recording April 1939 (Biddulph 1993)
Concert Music for Strings & Brass Op.50 (1930) excerpts Part 1 & 2Boston SO/SteinbergDG 1972
Violin Concerto (1939) David Oistrakh violin Mvt III excerptLSO/Horenstein 1962
Symphony in B♭ for Concert Band (1951) Mvt I & III excerptRNCM Wind Orchestra/ReynishChandos 1999
Nobilissima Visione (Ballet suite) (1938) excerpts Mvts I, II & IIIRPO/De PreistDelos 1986
Symphony "Mathis der Maler" (1934) excerpts Mvts I, II & IIISan Francisco SO/BlomstedtDecca 1988
SECOND HALF
Weber Op.60 Mvt 4 Piano (4 Hands) excerptSouthend Chamber Music Club (live) March 2015YouTube
Symphonic Metamorphosis (1943) Mvt I AllegroSan Francisco SO/BlomstedtDecca 1988
Weber Turandot March J75 excerptPhilharmonia/JärviChandos 1989
Symphonic Metamorphosis (1943) Mvt II Turandot ScherzoSan Francisco SO/BlomstedtDecca 1988
Weber Op.10 Mvt 2 Piano (4 Hands) excerptSzalucka/Vaduva RAM (live) March 2015YouTube
Symphonic Metamorphosis (1943) Mvt III AndantinoSan Francisco SO/BlomstedtDecca 1988
Weber Op.60 Mvt 7 Piano (4 Hands) excerptSouthend Chamber Music Club (live) March 2015YouTube
Symphonic Metamorphosis (1943) Mvt IV MarchSan Francisco SO/BlomstedtDecca 1988

Display Boards

Robert brought along some very interesting visual aids.
Photographs of Hindemith
In a lighter vein
Matthias Grünewald
The Isenheim Altarpiece